Queensrÿche : Glasgow Academy

Queensryche have taken their newest epic prog-metal show to the UK, starting a ten date tour at the Glasgow Carling Academy. These aren’t your normal rock show gigs though, totalling an astounding three hours of music the band are, for the first time in the UK, performing both the Operation: Mindrime concept albums in their entirety with full theatrical stage show. This involves not only video projections & stage props but also actors interacting with band members to tell the story behind the albums.

Operation: Mindcrime I follows an intriguing and complex plot that revolves around Dr. X, a political puppet master who brainwashes the story’s main character, Nikki, to assassinate corrupt public figures. The story also includes Nikki’s lover, Sister Mary. A former teenage prostitute who becomes a nun, Sister Mary is murdered mysteriously, leaving the cliffhanger “Who Killed Sister Mary?” Then, set twenty years after the original, Operation: Mindcrime II explores Nikki’s fate after being released from prison and reveals the identity of Mary’s killer. The album centers on revenge and what it does to people, their emotions and the choices they make. “This concert is the realisation of an idea that began nearly two decades ago” says lead singer Geoff Tate, “Between ritualistic execution, working prostitutes, motorcycle crashes and everything in between, we are able to really draw the audience in to the story.”

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Lykke Li @ King Tut’s

Lykke Li – King Tut’s, Glasgow 8th June
Words by Robert ‘Posh’ Duncan.
Photography by Ryan ‘Woolies’ Mitchell.
First published on Alternative Nation.

For anyone not familiar with her work, Stockholm-born Lykke Li is probably best classified as a pop singer, although only in the same way that Kate Bush or Prince are best classified as pop singers.

Her debut album, ‘Youth Novels’, produced mainly by Bjorn from Peter, Bjorn and John, is a damn fine listen, somehow positively rammed with catchy hooks while still sounding strange and mysterious. Live, she’s a little less ethereal and more just straight-up funky, with a percussion-heavy, brutally minimal sound that often forgoes bass altogether a la prime period Prince. It would be ridiculously sexy even if she wasn’t a 22 year old Swedish lass.

Interestingly, she’s a much braver and ballsier singer live than on record, equally at home with dark folk-tinged epics and quirky dance-pop numbers. In particular, first single ‘Little Bit’, already a favourite of mine on record, proves emotionally devastating in the live arena. Great moves too, made even more adorable by her strange hippie B-boy outfit. On the rare occasions she isn’t unnerving us with her vocal intensity, she’s adding percussion tracks or kazoo (!) riffs to the melting pot.

The crowd don’t seem to know how to react and Lykke’s repeated urgings that we should dance are mainly met by reverent stares and enthusiastic hand-clapping, but a distinct lack of booty-shaking, at least until current single ‘I’m Good, I’m Gone’ and an unexpected (and crowd-pleasing) encore of ‘Can I Kick It?’ cause the place to erupt.

In case you were wondering: yes, she can.

Lykke Li
Lykke Li Lykke Li Lykke Li

Ministry C U LaTour : Glasgow Carling Academy

Ministry are archetypal legends of industrial rock, Al Jougensen, responsible for not only Ministry but other genre defining moments of genius such as Revolting Cocks and 1000 Homo DJs, fronts the band in black frock coat, top hat & shades while swinging back and forth on his goat’s skull crucifix mic stand – occasionally leaning over the chain link fence that separates the band from the crowd on this tour. Joining him front of stage are moody guitar god cliche Sin Quirin (who also played in RevCo) and Prong‘s very own Tommy Victor – strutting and running about in a kilt for the night – and “new boy” Tony Campos from Static X taking over bass duties after Paul Raven’s untimely death last year.

This is Ministry’s final tour and the set features songs from each of Ministry’s albums rather than concentrating on the hits, the second encore features cover versions ending the night rather disappointingly on Wonderful World. The general feeling being that a “Greatest Hits” show would have been enjoyed more on this farewell tour but then almost everyone here tonight has a “They were great the last time I saw them!” story to tell. From what I saw, the band and music are still as good as ever but apart from the dedicated pit mob the crowd has too many folk the wrong side of their youth to feedback the energy required to lift the band’s performance to the heights of yesteryear.

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The SpoiltCat.com Blog only has one rule, “Never apologise for lack of updates.”

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