The Envy Corps & Dead City Radio – Glasgow Barfly

Dead City Radio had piqued my interest with above average indie pop rock tunes on their MySpace and thankfully after a last-minute dash from the underground station to catch their set, they didn’t disappoint live. The playful, Wheatus-like, studenty, meandering nature of the tunes sits atop strongly written melodies with Beatles-era riffs hidden below synthpop chords and was only occasionally marred by a lacklustre performance. As they wrap up the set with an obvious live favourite amongst their more knowledgable fans (yes, I include myself as one of their new fans now) the instruments slink off for a while leaving only simple chimes as the backdrop to some of the most impressive vocal harmonies heard from any band still playing venues as small as the Barfly.

Tagged as ‘shimmery indie goodness’ and proclaiming themselves to be a “band from Iowa that sounds like they’re from Missouri” The Envy Corps recently released Story Problem EP sounds distinctly Nebraskan but on stage the band take us North across the border to Winnipeg with vocals reminiscent of The Weakerthans. The indie folk rock sounding well filled out, every instrument playing its part to combine into something akin to Radiohead if Thom Yorke had ever been happy and content, or similar to The Alarm if they hadn’t tried so hard to be U2. At one point apologising for “writing songs for girls” when sliding the mood down into bittersweet emotional yearnings for love and affection, the bands finest live moments come from the more uplifting songs where you feel the midwest dust being blown off as you speed on to a chorus refrain.

Part of The Levis Ones To Watch 2007 gigs showcasing new talent, something a little bit more special than a run of the mill show was required but as fine as the bands here tonight were and as much as I’ve loved having their tunes on repeat since returning from the gig, the something special just wasn’t there on stage. Let’s blame an unenthused Tuesday evening Glasgow crowd as both Dead City Radio and The Envy Corps have the talent down on record that their fans deserve to see rocking sold-out venues in the future.

Albert Hammond Jr & The Pierces – Glasgow ABC 2

The Pierces are two sisters from the deep south living in New York. Catherine, currently engaged to our headliner for tonight (just an aside for you celeb gossip type folks) and Allison have been both been blessed with above average looks, pleasing stage personalities and luckily—most importantly—they can sing.

Opening with a Celtic duet which I’d like to think was rolled out especially for Scotland, The Pierces manage to be very laid back in front of their first Glasgow audience with Catherine taking the lead mostly and Allison seeming just that bit nervy or quieter. Very soon it becomes apparent that the airy pop production on some of their recorded material and the precisely styled image of promo pics & videos isn’t what these lassies are really about. Third track Lights On pumps the live electric bass at me so strongly I forget this is the tune we’d listed as least favourite and too singalong poppy fluff while listening before the show. It’s not just the bass that’s been turned up either, with Catherine using her lungs to full advantage to make sure everyone was sitting up and taking notice. Two songs later and Go To Heaven gives Allison her turn to turn on the vocals and let us know that she’s just as strong as her sister, although the quieter moments of the song are blighted by the ABC 2’s acoustics favouring those idiots holding conversations at the back rather than the stage PA.

The set ranges across a wealth of influences with at one point the hookline of “cross my heart and hope to die” floating over a tune that started out as Celtic, veered into French burlesque cabaret and kept time throughout with gypsy beats. Boring can only properly be described as a tongue-in-cheek Shirley Bassey Bond theme and Sticks and Stones closes their time on stage with a rousing, foot-stomping number that has much of the crowd clapping along.

Of course most of the crowd were there to see Mr. Albert Hammond Jr., normally of The Strokes & scene-cool indie rock legend, and the reaction to the indie-rocking chiming guitar intro reveals that. The set however doesn’t quite suit me: each song the band plays has a great intro and a hook hanging around in it somewhere, but too often they sound overly familiar to me. I spend my time entertaining hopes of this one being a goodie and lifting me onto a gig high, but I’m always dropped back by the end of the first verse. Everything seems alright and I’m sure if they left behind the wavy fingered keyboardist and visited on a drunken weekend night then I’d be cheering on the crazy-eyed rockiness along with the die-hard fans and shouting for a Strokes song with the rest of the crowd. Tonight I’m content to enjoy the insight that sometimes, just sometimes going solo reveals an artist to have left behind an important part of what made them good.

QMU Freshers Fest: Fratellis, Hedrons & more

An all-day event may sound rather ambitious for even the most stamina endowed at what is the end of traditionally the longest partying week of any students’ career but that’s what we have on offer here. Twelve hours, ten bands and more DJ hours than I can count without that maths phd.
Of course I’m building up the impression of a long & tiring day to excuse the fact we arrived at just around ‘tea time’ – the technical term describing that time of day when the hangover is finally easing up somewhat and thoughts of food (or hair-of-the-dog) are beginning to survive without nausea. Some students will get to know it as ‘first thing’ and time for breakfast or maybe getting out of bed. But fear not as there’s already a few hundred people at the QMU this Saturday afternoon and some obviously having enjoyed the cheap bar prices and afternoon lack of queues more than once already…

You Already Know ease us into gig mode at Qudos with a fairly subdued alt rock set, the playings good here but the mellow, downbeat nature of the tunes leave a quieter atmosphere than the band would possibly like despite a favourable response to the tunes from most.
Organisational skills combined with Freshers’ compliant nature and as yet uncynical outlook come into play as the vast majority of the crowd move politely upstairs to the Food Factory stage where Futuro provide a fine set of generic indie brit-emo styled tunes. I’ve eaten here many times but this is the first time I’ve seen folks dancing…

Union of Knives and The Injuns provide some electro & pop indie styled musings on the world leaving me rather unfussed, there’s nothing wrong here there’s just nothing special. No band yet has impressed me as anything particularly special so things are blurring into one , always a danger of many bands in one day! There’s still a Futuro song going round my head that the other bands haven’t shaken though, damn their cathcy hook on the music that everyone’s singing about.

Any ‘meh’ mood I’m falling into is quickly blown away by The Hedrons though, 21st Century Scottish grrrl punk at it’s finest here and the crowd are loving it—the flying beer and sweat give that away. Broken guitars don’t seem to hinder them much either, Rosie plays the set laughing off a broken whammy bar and Chi simply sits out one song while waiting for a replacement bass. Quite an achievement from teh band to sustain the atmosphere on a high and signs of great punk performance band that such technical difficulties didn’t hamper the set at all from teh audience perspective, the crowd is jumping and the band seem to be loving it – by the end Tippi has jumped the barrier and sings her lead vocals from the middle of the capacity packed fans.
Any silly naive young types amongst the QMU Freshers audience have had a damned good lesson that girls rock harder than guys. I approve.

As the last band change-over happens the QMU shows off it’s tardis like nature as more and more people file into what seemed during the Hedrons to be an already full Qudos, where they’re coming from and where they’re finding to stand is anyone’s guess but they seem happy enough as the cheer goes up when the Fratellis hit the stage. It’s more of the same commercial, student-friendly indie that I’ve been overdosed on this week but I’ll grudgingly admit that the Fratellis deserve to close my freshers week escapades this year. Much more high-tempo and jangly than other current next-big-things I could well be won over to joining the cheering masses as they play… but well, d’you see that bar with student union prices? And notice how freshers haven’t learned the art of being pushy and will wait quietly as you get served before them no matter how long they’ve been waiting…? The Fratellis aren’t quite good enough to draw me away just yet…

SUSU Freshers: Vengaboys Back to the 90s Party

Tonight the Vengaboys set Strathclyde Union on FIRE. Yes it’s a bad joke but such is the foundation of all good Freshers Week nights out: cheesey music, awful humour and cheap alcohol. Wednesday at Strathclyde provided all three in abundance.

As the new students start to trickle into Vertigo the DJ plays a run through of classic dancefloor fillers that everyone recognises from their recently cast-off schooldays and the mood is set.

Rang-A-Tang emerge on stage as a two-toned jungle theme salsa band and cover everything under the sun (from the last 50 years anyway) that has ever followed the path of wonderful -> over-played -> annoying -> classic. Livin’ La Vida Loca, Brown Eyed Girl, Brazil, Copacabana, Blue Monday, Don’t You Want Me Baby & even a great audience-participation version of I Predict A Riot. Playing for just over an hour I recognised each tune and enjoyed every single one of them performed with brilliant upbeat fun and no pretensions of being anything other than simply one of the best party bands I’ve seen.
They had a mini-trumpet and a KAZOO! ’nuff said.

In one of the strangest gig moments ever they are cheered wildly off stage and then booed as they come back for an encore – everyone is chanting Ven-Ga-Boys rather than we-want-more but as soon as they start playing again everyone is bouncing along with any impatience for the headliners forgotten.

Vengaboys could easily have disappointed after such a great atmosphere of expectation had been built up, luckily that seems like a stupid fear in retrospect – it’s a Freshers Week gig, no one here is a music-snob expecting high-art musicianship we just want the Vengabus pop disco dance fun. By the second song everyone in the crowd is cheering, by the time I admit to being too exhausted to jump around anymore and stand at the back I find myself in open-mouthed dumbfoundedness at such an incredible atmosphere throughout the entire hall. Even with minimal prompting and more often than not totally spontaneous the whole place jumps. Not just those down the front, not just those in the main crowd – those of us chasing the little free space jump. People at the bar are jumping along, the bar staff bounce and I’m sure I saw security & even the sound tech dancing to We Like To Party!
The stage show itself is everything needed so that no matter your favourite, nobody hides at one side of the stage, the sauce and the cheese are in full flow too with many choreographed moments of tounge-in-cheek humour at themselves and playing to their strength of just having fun tunes to enjoy without any baggage to drag you down deeper. It’s smiley pop dance stuff, nothing else is needed or wanted for this crowd tonight.

Before the hall has even emptied the fire alarm goes off and we all trek outside for a welcome chill out for ten minutes, half the crowd outside still singing along that the Vengabus is coming the others obviously jealous they missed out. The rest of the night is spent reliving the 90s or, for those strange students who still insist on being trendy, listening to default commercial indie offerings. Me I still have the Vengaboys on repeat in my head.

For the next four years until graduation—or longer for those who continue to enjoy the Union more than is best—around this time of year, people will ask ‘what was your Freshers’ Week like, what did you do’. Everyone who enjoyed that amazing hot, sweaty, bouncing atmosphere in Vertigo during Rang-A-Tang and the Vengaboys will have a huge grin while telling that story.

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