Red Hot Chilli Pipers

We waited for an extra three hours for the main arena to open at Wizard Festival 2009, not knowing that the wind had reached 50 mile an hour gusts and delayed things. We were too busy putting up our tent to worry much what other effects the wind would have!

The delay meant that the Red Hot Chilli Pipers were first act on. Turned out a really good opening act for a great weekend!

Red Hot Chilli Pipers by SpoiltCat, on Flickr

Red Hot Chilli Pipers Voodoo Stage @ Wizard Festival 2009

Photo by SpoiltCat, on Flickr

Queensrÿche : Glasgow Academy

Queensryche have taken their newest epic prog-metal show to the UK, starting a ten date tour at the Glasgow Carling Academy. These aren’t your normal rock show gigs though, totalling an astounding three hours of music the band are, for the first time in the UK, performing both the Operation: Mindrime concept albums in their entirety with full theatrical stage show. This involves not only video projections & stage props but also actors interacting with band members to tell the story behind the albums.

Operation: Mindcrime I follows an intriguing and complex plot that revolves around Dr. X, a political puppet master who brainwashes the story’s main character, Nikki, to assassinate corrupt public figures. The story also includes Nikki’s lover, Sister Mary. A former teenage prostitute who becomes a nun, Sister Mary is murdered mysteriously, leaving the cliffhanger “Who Killed Sister Mary?” Then, set twenty years after the original, Operation: Mindcrime II explores Nikki’s fate after being released from prison and reveals the identity of Mary’s killer. The album centers on revenge and what it does to people, their emotions and the choices they make. “This concert is the realisation of an idea that began nearly two decades ago” says lead singer Geoff Tate, “Between ritualistic execution, working prostitutes, motorcycle crashes and everything in between, we are able to really draw the audience in to the story.”

[flickr tag=queensryche]

Ministry C U LaTour : Glasgow Carling Academy

Ministry are archetypal legends of industrial rock, Al Jougensen, responsible for not only Ministry but other genre defining moments of genius such as Revolting Cocks and 1000 Homo DJs, fronts the band in black frock coat, top hat & shades while swinging back and forth on his goat’s skull crucifix mic stand – occasionally leaning over the chain link fence that separates the band from the crowd on this tour. Joining him front of stage are moody guitar god cliche Sin Quirin (who also played in RevCo) and Prong‘s very own Tommy Victor – strutting and running about in a kilt for the night – and “new boy” Tony Campos from Static X taking over bass duties after Paul Raven’s untimely death last year.

This is Ministry’s final tour and the set features songs from each of Ministry’s albums rather than concentrating on the hits, the second encore features cover versions ending the night rather disappointingly on Wonderful World. The general feeling being that a “Greatest Hits” show would have been enjoyed more on this farewell tour but then almost everyone here tonight has a “They were great the last time I saw them!” story to tell. From what I saw, the band and music are still as good as ever but apart from the dedicated pit mob the crowd has too many folk the wrong side of their youth to feedback the energy required to lift the band’s performance to the heights of yesteryear.

[flickr tag=ministry]

Late Of The Pier : Glasgow Barfly

I’m not certain what I witnessed tonight, unparalleled pretentious bullshit is probably the most succinct description. But let’s put that to one side for a minute and aim for a less emotive recap of the gig if we can.

The Displacements are four rather smartly dressed young boys from Leicester and totally inoffensive & forgettable tonight. The empty room and Glasgow’s often surprising apathy for bands touted as “Ones To Watch” leave them fighting a losing battle during much of their stage time. It ends up as a fine, by-the-numbers jaunt through 2008 indie trends but the scene kids just aren’t there to listen so it all feels like wasted effort from the band.

And talking of wasted time, we come to Late Of The Pier‘s set. Now don’t get me wrong, I was unbiased when I turned up, I liked & grew to enjoy their single The Bears Are Coming, the follow up & most recent release Bathroom Gurgle I’d tentatively filed under “nae to bad”. I ignored the reports of the band acting like wankers on T4′s Green Room and didn’t take any notice when the venue staff rolled eyes with a story of the ridiculous rider asked for by a band at this level. I was unconcerned, the band are hotly tipped for big things, this could be a gig to list in future years, “I saw them when…”

Gods was I wrong. Disbelief at the utter, utter festering shite I was being subjected to kept me going through the first few minutes, commitment to myself to work taking photos and to write a fair review kept me going for while longer. But all too quickly the bands superior better-than-thou attitude had removed from me any desire to give their music a chance. From what I took note of before giving up, the guitars are for fashion rather than playing, the synths would be better in the hands of three year olds or Ross from Friends and the tunes barely deserve to be recognised as music.

Late of the Pier are like a really bad movie that you’re meant to laugh at because it’s so bad. Except it’s so bad that it isn’t even funny, no matter how wasted you could get. The only enjoyment is the self-conscious laughter at ourselves, to hide the embarrassment that someone out there has played such a joke and managed to fool anyone into thinking that this is a real worthwhile band. Their attitude throughout was so overpoweringly superior and self-important that I seriously considered the ethics of whether they were worth the time spent on reviewing them.

So I left. It’s ill-mannered, rude and unprofessional but I left halfway through, and felt relieved when I did. So Late of the Pier end up with an accolade after all, they are the first and only band I have committed to review that have been so unremittingly awful that they’ve driven me to go home and watch BBC’s Sign Zone instead.

[flickr tags='displacements,lateofthepier']

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The SpoiltCat.com Blog only has one rule, “Never apologise for lack of updates.”

If there’s something interesting to share then we’ll try to find the time to share it, if not we’ll try to find something interesting. Updates will be irregular, we’ll neglect you and you may wonder if there will ever be another article.

Don’t worry though, we’ll write again soon—where “soon” is an undefined quantity …

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