Zombie Hop – Glasgow Barfly

In my fake bloodstained shirt and cheap eyeliner dead eyed I managed to get to the Glasgow barfly tonight without attracting more than the one “you got in a fight no?” question. Fools! This is a way of life, not a costume!

Karloff I could watch for hours, they just are everything you want in a bloody “horror punk” band. In my day we called them something different but no matter what the genre name it still comes down to having the best tunes to fit the ’50s horror fashion punk mohawks and gore theatre that these guys do so well. It’s a shame that I felt they were just more or less going through the motions a fair bit during the set tonight, probably due to their place first on the bill and Glasgow’s reluctance to ever get down the front and show enthusiasm. Or maybe we were all scared of the blood we were expecting to come our way, thank gods for the mic cable spilling it all and keeping us in the audience clean and dry …

Next up Zombina and the Kepitones, yes, the Kepitones not the Skeletones. Lacking their usual drummer, Kepi from the Groovie Ghoulies sat in on drums — and I must admit quite seemlessly for the most part. My expectations were still met however, vocals fitting straight into everything I’d listened to before the gig.

Lacking any extreme “we’re dressed as zombies” gimmick for the night we were left with more bare bones tunes than a full theatrical performance may have given and I heard no complaints. Zombina and The Skeletones were a band I thought would rely a lot of the live show on the visual side but I was proved wrong tonight. I wouldn’t have been surprised at all if my jitterbugging parents had got up to dance with extreme–mohawked 21st century punks, both as happy as each other. First class dancing tunes all round.

Groovie Ghoulies played an absolute classic rock‘n’roll set — barely ever reaching a 3 minute song but each and every tune having enough energy and interest to carry through to the next. Maybe there was twice the crowd had enough time to clap and cheer while it was quiet between tunes, and trust me, we were all looking for that chance to cheer. The only complaint I can imagine from anyone there would be that with such short–burst fun–played tunes there was plenty time to squeeze in more, and then another few after that. And maybe a couple extra ones. And then maybe one more. And hey, fuck the curfew, lets play another. And an encore. In fact in the best tradition of pop punk I guess even at 4 am most of us would still be there asking for another request …

But, while Kepi & the Ghoulies could have kept playing until next week for everything I wanted, my memories will be stuck with appreciating how much Zombina’s stuff was, even live, so danceable and simply made me smile happily for being there in person to experience the live gig show, so much better than staying at home with CDs or MP3s could ever be.

If asked, I’ll tell you the highlight was watching two of my favourite folk dancing away in front of a stage full of excellent music, performers and fake zombie blood to a perfectly fitting I Love Rock‘n’roll; Or wow — who in the crowd didn’t smile & sing along to the Groovie Ghoulies’ Ramones covers? (I Wanna Be Your Boyfriend, R.A.M.O.N.E.S., Pet Cemetary)

But those who noticed my grin at the time will understand that the lasting memory will be how I remember, for an endless moment, I fell head over heels in love with some guy in silly dead psychobilly makeup as he deep bass growled Pretty Lil’ Angel Eyes … gigs don’t get any better than that.

Punk’s Dead — but rock‘n’roll is undead. It’s maybe a bit stale for some folks but very definitely still dancing and kicking like a loon when there’s bands like these that play it so well. I quite seriously think you’re stupid if you missed this gig or never take the chance to dance to such.

The Priscillas, Thee Merry Widows & De Kuntz – Glasgow Barfly

I rarely, if ever, write anything about the gigs I go to – usually because I find it tricky to say more than “good”, “awright” or “crap”. But I promised myself before going that I’d try and produce some words as well as pictures for this gig so here goes.

Three bands on the bill, with (as it turned out) fourteen performers. Not simply band members or even just musicians, but all performers, this bodes well for any live show and gave this gig that little something extra in the “you had to be there” stakes.

De Kuntz began with full-on energy from the very first scream – only the drummer remaining within the stage boundary for the full set. Entertaining as they are to watch parading, strutting, glowering and crawling about every available space, their playing easily kept pace, keeping the horror-punk blood & gore as a compliment to the music rather than a gimmick to keep you interested and hide dodgy tunes behind. I don’t really care much that I never made out a word of lyric or know what any of the songs were about, such a fast, furious onslaught of 21st century punk doesn’t need subtlety.

Thee Merry Widows followed and proved to be the best psychobilly band I have seen for far too many years. Even never having heard them before I’m sure I was (in my own way) singing along with more than one of the chorus harmonies. More than their share of hooks and a set filled with everything it should be, great rock ‘n’ roll rhythms with real punk guitars and enough ’50s comic book horror glam and tattoo ink to satisfy anybody.

By the time The Priscillas came onstage the atmosphere around the place felt better than the vast majority of small venue shows I’ve seen in months – as their drummer remarked it felt like “there’s two hundred people in here“. I’m not sure if they were a ’60s girl group turned nasty or a garage punk band turned glam but it worked for me again, with plenty of posing and posturing to keep the eyes as well as ears interested to the end.

In the end what counts is that on a dark & rainy Monday night in February I found myself walking up Buchanan Street singing “I fucked a zombie, and he’s the best I ever had” and summarising the gig not as “awright”, or “crap”, not even as “good” but just thinking to myself “wow!”

Blink 182 – Glasgow SECC

It was only in February that I last saw Blink 182, I wasn’t expecting much difference, but really I should have guessed as soon as I saw the black Blink smilie flag being waved centre stage that this was not going to be simply Blink 182 the pop-punk band playing a few tunes for the kids. This gig had that little bit extra.

Those first three songs were nowhere near enough time in the pit to take photographs – partly due to Mark and Tom conspiring to fill the entire SECC stage between only the two of them, but mostly because it’s tricky to concentrate on steady camera work when your bouncing along to What’s My Age Again?

The set seemed to swing between new songs and older ones, and only every second tune got a yell of approval as it was recognised. It seems that even amongst the younger fans the old ones are sometimes still the best.

Blink 182 have grown up a lot in the past couple of years and tonight they proved to me that they are deservingly a world class band – even when mucking around the music was still tight, the confidence in themselves to make onstage changes and the interaction with the crowd never failed once. Whether it was leaving exactly the right moments for us to sing along, acknowledging the required walk offstage before the last two songs encore routine, or Mark’s finishing solos on drum and guitar, they look like they are still having a hell of a lot of fun.

While Mark and Tom will always be forefront it was easy to see why Travis has such a following: sitting high on his drum podium his energy alone could have filled the hall. Tommy Lee has finally been beaten as the number one showman drummer in my mind; Travis looked like he could’ve made that kit fly just by hitting it some more – and there will be few standing ticket holders who went home without a drumstick thrown their way!

The memory that will last is of the video screens and light show being put to shame by a simple starfield backdrop – mirrored in the thousand mobile phone screens held aloft at Mark’s command.

This was more than some current fad pop-punk trio playing throwaway tunes, this was a gig that made me feel as though the SECC was hosting a real stadium rock band.
This was a Rock Show worth falling in love with a girl at.

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The SpoiltCat.com Blog only has one rule, “Never apologise for lack of updates.”

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